80′s pop music experienced a revolution driven more by technology and consumerism than any resounding political message. As of Mar-10-2011, a total of 465 tracks are compiled for the jukebox below, all of which are 12-inch versions, extended mixes and/or remixes.
Disclaimer:All music recordings (in this blog and the ones streaming from the jukebox in this page) were captured/extracted from Hashmoder’s (Omar Hash) own music collection (records, cassettes, CD’s), all of which were legally purchased from around the world in a span over 30 years. Music/MP3′s on this site are for sampling and promotional purposes only and will only. Most of the mp3 tracks on this blog/site are remixes, extended and limited versions which are deleted, no longer available for purchase and would not be heard otherwise. However, please support these artists. If you are one of these artists and would like your music removed from this site, then pleasenotify meand I will endeavor to remove them as soon as possible.
While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Digitizing them into Protools; Spending two long months cleaning them up; Getting rid of every single scratch/pop/click; Restoring deteriorated sounds through various RE-SYNTHESIS processes and techniques; Splicing the tracks to separate clips; Re-arranging and layering clips to my taste; Throwing in my own synth-stabs, chops and other minor subtleties; Adding & automating series of chained top-notch effects throughout the mix, utilizing parameters some of you could not even pronounce ... thus resulting with more dynamic and reverberated DEPTH to the mix; Fattening the bottom-end; Widening overall stereo perception; and Mixing, engineering and mastering my version of P:Machinery the way I think it's supposed to be heard.
To my taste, P:Machinery sounds better than 'sick' ... more like master piece of shit which blasts sonically across the stereo-field ... not one element standing still but constantly moving all over the place.
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish Boogie Down Bronx (dub version) PLAY TRACK
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood Relax (12 inch Sex Mix) PLAY TRACK
Trevor Horn is the guy who produced and performed “Video Killed The Radio Star” world-wide smash-hit track. I did some major digging and discovered some fascinating, forgotten facts and hidden gem tracks from The Buggles. In 1980, the Buggles’ duo Geoffrey Downes (keyboards) and Trevor Horn (vocals) — who were coming off an international success with their new-wave album The Age of Plastic – to help out on a new YES album. Downes suddenly left Buggles when Trevor learned that YES’ keyboardist Rick Wakeman was leaving the band, and therefore snatched him as well as lead-vocalist Jon Anderson to work on the next Buggles album Adventures In Modern Recording. The Buggle’s second album was completed in 1981 but was never released or charted. The album was a gem masterpiece.
The Buggles I Am A Camera (12 inch version) PLAY TRACK
We’re back! For the third year in a row, Hype Hotel, presented by Taco Bell’s Feed The Beat program, will be bringing blogger-curated music showcases to Austin. Hype Machine tracks music that bloggers all around the world are talking about and presents it all in one place for easy discovery. That’s also what we do […]
A few weeks back we shared our annual Zeitgeist. One of its features is Top 50 Artists, which counts down the most-blogged acts of the year. The list is always telling of our times, both as a music blog community and an industry at large. What becomes popular on blogs no doubt informs and […]
It’s here! Since 2007, the Hype Machine Music Blog Zeitgeist is our annual roundup of the year’s most exciting music. Here’s what we have for you this time: Top 50 Artists: We analyzed all posts in 2013 to find the 50 most-discussed artists, and asked Séamus Gallagher to illustrate. Listen to a track from each […]
Our Sonos app is LIVE! In this release, we’ve added the ability to listen to every blog in our Blog Directory, and your Feed. You can favorite tracks right from the app, and your listening is recorded in your Listening History on the site as well. Connect via Preferences > Services > The Hype Machine. […]
Last July, I biked over to a post-apocalyptic loft roof to catch a bit of FMLY FEST. I ended up seeing Headaches and Megafortress, who both created a pleasant wall of noise. But in addition to the music, I couldn’t help but notice the energy of the crew who organized the event: rolling with […]
I’ve been a BlackBerry user for 7 years, so it was naturally exciting when BlackBerry showed interest in working with us on a native Hype Machine app for their new line of phones. With their support and the team at Smoke Labs, we were able to make this app a reality! The first release […]
Blogs have always been vital to what we do—they are the reason the Hype Machine exists and helps you discover new music. Folks asked for a better way to discover blogs in our directory (and keep their feeds fresh). We tested a number of approaches and landed on the Blog Recommender. The feature is […]
Our friend Ian just launched an app called Mote.io that allows you to navigate sites with your phone. Naturally, one of the first sites he built support for was the Hype Machine. Mote.io gives you the ability to play, pause, favorite, skip and return to previous tracks. You can also search and click around […]
Station to Station, a public art project by Doug Aitken made possible with support from Levi’s, is a train traveling across the United States, bringing music, art, and cultural happenings to ten cities along the way. From live performances by artists like Patti Smith, Dan Deacon, and Ariel Pink’s Haunted Graffiti, to talks from […]
The great traveling SpinMedia Soundwave Tent sets up in Seattle this weekend at Bumbershoot Music & Arts Festival. Find us by the Fountain Lawn (view map), DJing with a few of our favorite artists and bloggers. The schedule runs as follows… Saturday, August 31st, 3PM – 5PM Featuring: FensePost, Seismic Sound, Washed Out Sunday, […]
Mac Thornhill is still in the game, producing records from his home base in Quebec. During the 80's he was probably one of the best r'n'b vocalists to come out of Canada and a couple of his really early records can fetch some coin, including this second or third single, Make Life Worth Living, which has a sweet instrumental side. I only though […]
This is one I had to double, then triple check that we hadn't posted before, its that much of a classic and indicative of the sound we wanted to capture on the blog. 'So In Love' came out on maybe my favorite New York based label, Silver Cloud, and has Jocelyn Brown on vocals and future Leroy Burgess producer Stan Lucas on the mixing boards. […]
Its that time of year again, and as is customary on Valentine's Day we break from normal programming to bring you a guest mix of deep, crusty, sweet soul 45's. This time, as a follow up to 2009's Blood From My Soul, San Francisco's finest exponent of the genre, Deejay OM, brings us Part 2 of his epic journey through the process of love, […]
Here is another indie '80s soul record to file in the M.J. impersonator section along with Alfonzo and Michael Sterling. Timothy Marrow's self released Killer Moon sounds like it was recorded in an afternoon with a borrowed synth and drum machine. Every little mistake and looseness in the meandering bass line is captured in its full glory over a […]
well this is pretty quick. Konrad OldMoney remixed the entire G I R L album and dropped it available for download on his soundcloud. As it currently stands, his views on soundcloud are over double that of Pharrell’s official page… … Continue reading →
New jammy from dudes Tanner and Self-Help out of NYC. As heard on TWRK Volume 3 on Diplo and Friends BBC Radio 1 Xtra. Grab the free download while you can √ ___________________________________ Get @ Nick Bike Twitz! √ Follow … Continue reading →
RnB heater from my man Illo out of Ottawa. Slip back into summer with this one. Cop the free download √ ___________________________________ Get @ Nick Bike Twitz! √ Follow Schitz you Twi†Z!! √ Hear† Us on HYPE!! √ Like Us … Continue reading →
I’ve been waiting for awhile now for this one to see the public eye in full. Move Slow is a super tight single from Vancouver homeboy Pat Lok featuring the vocals of Alo. If you were listening close it was … Continue reading →
Just wanted to second a couple of other comments on your site and say that yours is by far one of the best music resources I've found. A similar but now sadly defunct site called Retro Wonderland came a close second! Keep up the good work. All the best."
And all the best to you too, Elliot, for your lovely feedback you've emailed me :)
From: Yaron Sarel
"...just discovered your site, and I wanted to tell you that you make me one happy Israeli guy. I work as a sound engineer, living in Tel Aviv, and I love the 80's. In fact, two good friends of mine and myself formed an oriented-80's synth band. After years of playing rock, for some reason I have never imagined I would be playing this kind of music. I used to listen to as a kid (before I discovered the electric guitar). Your work brings back to life this music i miss and love so much. Thank you sir!"
And thank you, Yaron, for your lovely feedback.
Mp3's on this site are for sampling and promotional purposes only and will only. Most of the mp3 tracks on this blog/site are remixes, extended and limited versions which are deleted, no longer available for purchase and would not be heard otherwise. However, please support these artists. If you are one of these artists and would like your music removed from this site, please notify me, and I will endeavor to remove them as soon as possible.