Definition of “Friggin’ In The Riggin’”…
To have a wank —- to pull one’s cracker —- slap the salami —- bash the bishop —- choke the chicken, etc. …. while on a ship.
Listen/Download the Friggin…
Sex Pistols – Friggin’ In The Riggin’ (mp3)
Lyrics…
It was on the good ship Venus
By Christ, you should’ve seen us
The figurehead was a whore in bed
And the mast was a mammoth penisThe captain of this lugger
He was a dirty bugger
He wasn’t fit to shovel shit
From one place to another[Chorus:]
Friggin’ in the riggin’
Friggin’ in the riggin’
Friggin’ in the riggin’
There was fuck all else to doThe captain’s name was Morgan
By Christ, he was a gorgon
Ten times a day sweet tunes he’d play
On his fucking organThe first mate’s name was Cooper
By Christ he was a trooper
He jerked and jerked until he worked
Himself into a stupor[Chorus]
The second mate was Andy
By Christ, he had a dandy
Till they crushed his cock with a jagged rock
For cumming in the brandyThe cabin boy was Flipper
He was a fucking nipper
He stuffed his ass with broken glass
And circumcised the skipper[Chorus]
The Captain’s wife was Mabel
To fuck she was not able
So the dirty shits, they nailed her tits
Across the barroom tableThe Captain had a daughter
Who fell in deep sea water
Delighted squeals revealed that eels
Had found ‘er sexual quarters[Repeat Chorus to Fade]
Me and the Sex Pistols friggin 45
While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Propaganda
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood
Trevor Horn is the guy who produced and performed “
The Buggles
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