I got this CD in 1990 or 1991. It’s a Japanese import … instrumental versions of selected Michael Jackson tracks. Since today/tonight is Halloween, I’ve decided to share the instrumental version of Thriller. So many other elements can he heard in this one, which otherwise weren’t as audible when buried under so many layers of vocals. There’s something new to get out of this instrumental than the vocal version. Listen to both and make comparisons.
And of course, why not watch the full-length 14-minute version of Thriller music video in HD. At this video’s 07:16 mark in the timeline … MJ & Zombie Crew start doing their dance moves to Thriller’s breakdown groove … gives me the goose bumps … I jizz in my pants. It is Halloweekend after all — and Thriller still remains to be one of the best music videos of all time, terrorizing your neighborhood. This is the Michael Jackson I once knew.
Michael Jackson – “Thriller” (Instrumental)…
Artist: Michael Jackson Title: Thriller (Instrumental) Year: 1983 Label: Epic Records Media Source: Extracted directly from Japanese import audio CD: Michael Jackson – Instrumental Version Collection.
Artist: Michael Jackson Title: Thriller (LP Vocal) Year: 1983 Label: Epic Records Media Source: Extracted directly from Japanese import audio CD: Michael Jackson – Instrumental Version Collection.
Beatbox Is Rockin is an amazing fast-paced oldschool electro dance hiphop track on the cutting-edge back in 1986 — A MASTERPIECE. It has all the elements to be electronic and rap: Pounding, dance break-beats from a drum machine; vocoder (either Roland or Sennheiser, pictures below); multi-layered one-shot synth stabs; sampled human beatbox snippets triggered from a sampler; and multi-tracks of real human beatbox. The Fat Boys are fondly regarded as a seminal part of early rap music recording history (click here read Fat Boys wikipedia).
Fat Boys – “Beatbox Is Rockin”…
Artist: Fat Boys Title: Beatbox Is Rockin Year: 1986 Label: Sutra Records Media Source: Recorded straight from 12-inch record to enhanced digital.
I must be one of the very few bloggers who’s done a good-quality recording of this track and made available on the net. Shango is member of Afrika Bambaataa and the Soulsonic Force and ZuluNation. In 1984 he released a killer solo album. The front-cover alone convinced me to buy it. Once I got home and played the record, I was floored to how original all the tracks were. I’m talking about five long tracks with electric beats, cosmo funk, rap & singing vocals, synthesizers, drum machines, vocoders, deep basslines, laser beams and soul mania. You’re gonna love the synth hooks in Shango Message. Play this track nice and loud on beefy speakers. Stand back, close your eyes and groove deep with it.
Shango – “Shango Message”…
Artist: Shango Title: Shango Message Year: 1984 Label: CellulOID Media Source: Recorded straight from 12-inch record to enhanced digital.
This is a very very RARE 12-inch gem indeed ….. New York Street Mix of “Say La La” by Pieces Of A Dream (1986). Good luck in finding this track anywhere on the net! Not even on YouTube. You may find the original-extended version of Say La La, but not this New York Street Mix, especially a good quality recording (high-resolution 320/kbs MP3). I just love the minimal approach to this remix which has a bassline to die for. Each bassline note sounds like staccato one-shot bass-stab thats deep. The drums are factory sounds that of an E-Mu SP12 drum-machine/sampler (picture & info further down below). Nice breakdown and build-up towards the middle and end with nice gradual fade-out. I’m gonna let the music do the talking. Have a listen. I hope you’ve got beefy speakers!
Pieces Of A Dream – “Say La La” (New York Street Mix)…
Artist: Pieces Of A Dream Title: Say La La (New York Street Mix) Year: 1986 Label: Manhattan Records (via EM) Media Source: Recorded straight from 12-inch record to enhanced digital.
Pieces Of A Dream – “Say La La” (Extended Album Version)…
Artist: Pieces Of A Dream Title: Say La La (Extended Album Version) Year: 1986 Label: Manhattan Records (via EM) Media Source: Recorded straight from 12-inch record to enhanced digital.
Pieces of a Dream were founded in 1975 in Philadelphia when the principal members were all teenagers.
Originally somewhat jazz-oriented, Pieces of a Dream has mostly emphasized R & B although they usually include a few jazz numbers in their performances.
Grover Washington, Jr., produced their first three albums (all for Elektra during 1981-83), they have since recorded for Manhattan.
The group has also included Lance Webb (lead vocals), Randall Bowland (guitar), Vincent Davis (synths) and Norwood (vocals).
Saxophonist Ron Kerber became a member in the 1990’s.
Their albums included ‘Pieces Of A Dream’ (1981), including ‘Warm Weather’ featuring the vocals of Barbara Walker, ‘We Are One’ (1982) and ‘Imagine This’ (1983), including ‘Fo-Fi-Fo’, all were a fusion of R & B, jazz and soul.
They continued this formula following their switch to Manhattan (via EM]) with ‘Joyride’ (1986), ‘Makes You Wanna’ (1988), including ‘We Belong To Each Other’, and the Gene Griffin, co-produced ‘Bout Dat Time’ (1989).
Later releases concentrated more along the smooth jazz vein.
“Say La La” Performed by FAMU’s World Famous Marching 100 Band…
E-Mu SP12 Drum Machine/Sampler…
The E-mu SP-12 is the classic drum machine & sampler combo that paved the way for such greats as the E-mu SP-1200 and AKAI MPC series of sampling drum machines. Redesigned from E-mu’s original Drumulator drum machine, the SP-12 is a classic drum machine with built in sampling capability. There is a set of preset drum sounds including kick, snare, hihats, toms, cymbals, handclap and rimshot. These sounds can be mixed and edited using the sliders. Then you can add your own beats and drum sounds using the built-in 12-bit sampler. Sampling time is limited to only a few seconds and the quality is very lo-fi (a sound loved by lo-fi and trip hop). Store your patterns and link them into songs, there’s room for 100 of each! There are mono and individual outputs (no stereo). It’s been used by Madlib, Large Professor, Chicago, and DJ Premiere.
The SP-12 was quickly superceded by the SP-1200 in 1987 which was continuously reissued through 1997. The SP-1200 is undoubtedly the more popular of the two since it has added features and emphasized sampling by eliminating the preset drum sounds.
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day. Check out example below:
Man Parrish Boogie Down Bronx (dub version) PLAY TRACK
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length. Check out example below:
Frankie Goes To Hollywood Relax (12 inch Sex Mix) PLAY TRACK
Trevor Horn is the guy who produced and performed “Video Killed The Radio Star” world-wide smash-hit track. I did some major digging and discovered some fascinating, forgotten facts and hidden gem tracks from The Buggles. In 1980, the Buggles’ duo Geoffrey Downes (keyboards) and Trevor Horn (vocals) — who were coming off an international success with their new-wave album The Age of Plastic – to help out on a new YES album. Downes suddenly left Buggles when Trevor learned that YES’ keyboardist Rick Wakeman was leaving the band, and therefore snatched him as well as lead-vocalist Jon Anderson to work on the next Buggles album Adventures In Modern Recording. The Buggle’s second album was completed in 1981 but was never released or charted. The album was a gem masterpiece. Check out example below:
The Buggles I Am A Camera (12 inch version) PLAY TRACK
My original intent for this post was to be the third part of my Mastermix series, this time featuring the Prelude Vol. II Tony Humphries mixes. Well my thrift store copy is fucked and beaten to death, I was only able to salvage the two least essential tracks off the comp. Not to worry, I will track down a new copy and post them up sometime down the road. In […]
Nicky Siano was one of the first DJs to mix records and owned the legendary club The Gallery in Manhattan which he opened in 1972. He was the most proficient DJ of the era and mentored both Frankie Knuckles and Larry Levan. His sound system, which was a scaled up version of the one at the loft is thought by many to be the best sounding club system ever. Nick […]
"that post was mean and not funny, edit it or take it down." .. oh, ok.Modern Romance - Salsa RapsodyNona Hendryx - To The BoneNona Hendryx - To The Bone pt1 & pt2Tout Sweet - Another Man Is Twice As Nice (vocal) Tout Sweet - Another Man Is Twice As Nice (dub version) […]
I think this tune was written to be the perfect car chase or karate fight scene song for a late 70's cop show. It came out on Shady Brook Records in 1977 by a group known as S.S.O. or The S.S.O. Orchestra. Their name is an abbreviation The Soul Sensation Orchestra, so the later name is redundant. I like the blaxploitation feel and the jazz funk sound th […]
Broccoli Rabe Records is still in business to this day, although now I believe the co-founder, Brian Drago, runs it as a post production and film scoring facility in it's home of Fairfield, New Jersey. Yet for a period in the early 80's Broccoli Rabe turned out some now much sought after east coast style synth funk and proto rap records. I have see […]
I recently came to the realization that we haven't explicitly covered the band Slave here in the several years since BE's inception. Now our omission can be justifiable to a point. Slave is a rather obvious group from the era, but a damn important one at that. Hailing from Dayton Ohio circa 1975, Slave were one of a handful of 70's artists tha […]
This jam by The Bang Gang came out on Sugarscoop in 1981. It is an early track produced by the most prolific dance music producer of the 80s and 90s; Bobby Orlando. This track has a much more black and boogie oriented feel than the Hi NRG sound for which he is known. His most notable release was Passion by the Flirts. Bobby O has an interesting story. It tur […]
I finally unpacked my records, but managed to put each and every individual cable I needed to get the home rig set up in a separate box, as if I was, at the time of packing, playing a stupid joke on myself. It was quite funny, costing me a day of my stupid life. Look what I found though in the back of a an old microwave box marked as containing kitchen utens […]
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Mp3's on this site are for sampling and promotional purposes only and will only. Most of the mp3 tracks on this blog/site are remixes, extended and limited versions which are deleted, no longer available for purchase and would not be heard otherwise. However, please support these artists. If you are one of these artists and would like your music removed from this site, please notify me, and I will endeavor to remove them as soon as possible.
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