
This film is a masterpiece. I love old classic movies, and this one is in my top-10 list of all-time favorites. The title of this film comes from the Book of Proverbs, 11:29: “He that troubleth his own house shall inherit the wind.” Based on the true events of the Scopes Monkey Trial which took place in Dayton, Tennessee in 1925. The story is very thought-provoking from both points of view — the evolutionist and the fundamental Christian. It’s a rare 1960 American classic that takes the grand clash of ideas. The presentation does justice by conveying effectively the sweaty claustrophobia of small town in Bible-belt America. Whether or not the hesitation in bringing out such a potentially controversial, expanded package is a matter of intelligent design or just random selection, the public will have to judge for itself. From here, a lot can still be seen happening today, all over the world, and in every kind of religion vs. other religion and/or ideologies.
Watch full-length movie…
Trivia Tid-Bits…
- Was the first in-flight movie ever shown on Trans World Airlines.
- When Stanley Kramer offered the role of E.K. Hornbeck to Gene Kelly, Kelly initially turned it down. Kramer told him that his co-stars would be Fredric March and Spencer Tracy, and Kelly changed his mind. This was a risky move on Kramer’s part, as he had not yet asked March or Tracy to participate.
- Robert Vaughn was offered the role of E.K. Hornbeck, in case Gene Kelly turned it down. But he instead opted to make The Magnificent Seven.
- To heighten the tension of Spencer Tracy’s final summation to the jury, the scene was filmed in a single take.
- Writers Jerome Lawrence and Robert E. Lee named the overzealous prosecutor “Matthew Brady”. When Roscoe ‘Fatty’ Arbuckle was tried for manslaughter three times in 1921/22, the real overzealous prosecuting San Francisco District Attorney was named Matthew Brady. Matthew Brady was also the name of the famous portrait and landscape photographer of the American Civil War.
- When Drummond’s attempt to call scientific experts to the stand to testify in behalf of the defense is thwarted, Stanley Kramer adds a couple of elements from the actual Scopes Trial, combining the fiery closing of Clarence Darrow’s speech on the motion to quash the indictment with the change in which Judge Raulston cited Darrow for contempt.
- The character Henry Drummond is based on real-life attorney Clarence Darrow. Matthew Harrison Brady is based on William Jennings Bryan. Schoolteacher Bertram T. Cates is based on schoolteacher John Thomas Scopes (hence “Scopes Monkey Trial”).
- A young Burt Reynolds got to visit the set and watch some of the courtroom scenes being filmed because he was doing some TV work nearby and Spencer Tracy was one of his idols.
- The character of E.K. Hornbeck was based on American journalist H.L. Mencken, who had notably covered the Scopes trial.
- Fredric March and Spencer Tracy both played the dual roles of Dr. Jekyll and Mr. Hyde in 1931 (Dr. Jekyll and Mr. Hyde) and 1941 (Dr. Jekyll and Mr. Hyde) respectively. March received an Academy Award for Best Actor for his portrayal.
- The theatrical trailer, hosted by Stanley Kramer, shows Kramer, along with Gregory Peck and his wife Veronique Passani (aka Celia Peck), Jeff Chandler, Otto Preminger, Walter Wanger, and West Berlin Mayor Willy Brandt attending the Berlin Film Festival premiere, where Kramer receives an award presented by Harold Lloyd, who was on the festival committee.
- In the scene where Drummond (Spencer Tracy) tells the story of his rocking horse “Golden Dancer” to Brady (Fredric March), they are sitting in rocking chairs on the porch of the boarding house. The actors are both rocking their chairs but are never in sync with each other to emphasize their differences of opinion.
- The original Broadway production of “Inherit the Wind” by Jerome Lawrence and Robert E. Lee opened at the National Theater on 21 April 1955, ran for 806 performances and won two acting Tony Awards in 1956. The opening night cast included Paul Muni as Drummond (Melvyn Douglas later took over the role when Muni developed a cataract), Ed Begley as Brady and Tony Randall as Hornbeck. There has been 2 Broadway revivals; in 1996 with Charles Durning and George C. Scott and in 2007 with Brian Dennehy and Christopher Plummer.
- The subplot concerning Cates’s engagement to the Rev. Brown’s daughter Rachel, and Brady’s manipulation of the girl to give damaging testimony at the trial, is entirely fictional. The real-life John Scopes had no known fiancee or girlfriend at the time of the trial.
- Because of the criticism directed at producer Stanley Kramer by the American Legion for hiring Nedrick Young, who they considered subversive, Moss Hart as president of The Authors League of America sent Kramer a telegram: “The Authors League of America council, which has always unalterably opposed any form of blacklisting of writers, unanimously voted at a meeting today to commend and applaud you for your courageous stand in rejecting publicly the effort to interfere, on pseudo-patriotic grounds, with the right of writers to work.”
- Dick York’s final feature film.
Source of trivia information: IBDM.com











While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Propaganda
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood
Trevor Horn is the guy who produced and performed “
The Buggles