
Mercy Street is one of the most beautiful, original and highly intelligent and emotional songs ever composed and produced. It still gives me the goose-bumps every time I listen to it, and I’ve been playing it endlessly for the last 26 years. I listen to Mercy Street when I’m hurting and in search of healing; when I’m at peace and in solitude; and when I’m meditating and mind-traveling. The song never seems to wear out on me but rather continually evolve to something bigger and much richer for me to appreciate even more over time as it goes by. Mercy Street is the song I want to be played at my funeral.
The only versions of Mercy Street which I love and respect are two of them: LP version and the William Orbit mix which is featured in a 1992 CD-single of Blood Of Eden by Peter Gabriel. Please take the time to read the lyrics and the meaning of the song below. I’ve provided a video of Peter Gabriel talking about what inspired him to write and dedicate his song to Anne Sexton who wrote a poem and play called 45 Mercy Street.
Peter Gabriel – “Mercy Street” (LP Version)…
Artist: Peter Gabriel
Title: Mercy Street (LP Version)
Year: 1986
Label: Real World Records / Real World Music
Peter Gabriel – “Mercy Street” (LP Version) (mp3)
Peter Gabriel – “Mercy Street” (William Orbit Mix)…
Artist: Peter Gabriel
Title: Mercy Street (William Orbit Mix)
Year: 1992
Label: Real World Records / Real World Music
Peter Gabriel – “Mercy Street” (William Orbit Mix) (mp3)
Mercy Street Lyrics…
Looking down on empty streets, all she can see
Are the dreams all made solid
Are the dreams all made realAll of the buildings, all of those cars
Were once just a dream
In somebody’s headShe pictures the broken glass, she pictures the steam
She pictures a soul
With no leak at the seamLets take the boat out
Wait until darkness
Let’s take the boat out
Wait until darkness comesNowhere in the corridors of pale green and grey
Nowhere in the suburbs
In the cold light of dayThere in the midst of it so alive and alone
Words support like boneDreaming of mercy st.
Wear your inside out
Dreaming of mercy
In your daddy’s arms againDreaming of mercy st.
Swear they moved that sign
Dreaming of mercy
In your daddy’s armsPulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest-he’s the doctor
He can handle the shocks
Dreaming of the tenderness-the tremble in the hips
Of kissing Mary’s lipsDreaming of mercy st.
Wear your insides out
Dreaming of mercy
In your daddy’s arms againDreaming of mercy st.
Swear they moved that sign
Looking for mercy
In your daddy’s armsMercy, mercy, looking for mercy
Mercy, mercy, looking for mercyAnne, with her father is out in the boat
Riding the water
Riding the waves on the sea
The Meaning Of The Lyrics & Anne Sexton’s Poem 45 Mercy Street…

Peter Gabriel was inspired by Anne Sexton’s poem 45 Mercy Street which led him to write/compose his song Mercy Street, dedicating his song to her. Gabriel could relate to Sexton as a deep thinker with a troubling depression who searches for meaning through her art.
Anne Sexton, a poet, committed suicide in 1974 after a life marred by mental illness. The first couple of verses in the song play on the difficulty she had differentiating between her successful creative life as a poet and her failings in her “real” life as a daughter/mother/wife. Years after leaving the home where she lived with her father, one day she decided to go back and look for the place on 45 Mercy Street. But when she walked there, she wasn’t able to find the house nor recognize the neighborhood what she once knew. It has all been changed over time. so in essence, this is what the song Mercy Street is all about … Anne’s searching of her home and past.
According to the uncredited sources on the internet:
As a poet, Anne, in effect, had a “leak at the seam,” her inward thoughts and feelings that got expressed through her poetry. Many poets have commented on the pain that comes through revealing one’s inner self.
The boat references allude to her final book of poetry, “The Awful Rowing Toward God,” about our inevitable journey toward death and the afterlife. “Tak[ing] the boat out” refers to her intention to accelerate her own demise. (She killed herself just after finishing the book.)
“Corridors of pale green [aka 'hospital green'] and gray” could refer to her stays in mental institutions during her manic episodes (which alternated with her stints of “ordinary life” in the suburbs of Boston).
“Wear your inside out” again refers to the way a poet exposes his soul to the world. That which, for most people, remains private and unknown is shown to all. The “daddy” allusions again seem to refer to God, in whose arms she might find that elusive mercy (so difficult to attain in this life, hence the reference to the moved street sign.
All of the confession allusions have double meaning, as much of Anne’s life was spent “confessing” her innermost feelings to psychiatrists ((whereas in the song, the “warm velvet box” might also refer to the psychiatrists and mind doctors)) as well as revealing them to the public through her poetry. The shocks can doubly refer to shock therapy administered by psychiatrists as well as the shocking things a priest might hear in confession. Per Wikipedia, Sexton was the epitome of a “confessional poet.”
Live Performace of Peter Gabriel – “Mercy Street”…
Live Performance of Peter Gabriel – “Mercy Street” (1988)…
Peter Gabriel’s Real World Studio…
The pictures you see below are Peter Gabriel’s own Real World Studio where he recorded Mercy Street as well as the most of his previous albums, soundtracks and productions of other artists signed on his label Real World Music/Records.






While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Propaganda
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood
Trevor Horn is the guy who produced and performed “
The Buggles
I love Peter Gabriel… Although, my favorite song is still “in your eyes.” But at least I know about “Mercy Street.”
I suspect the reference to “warm velvet box” actually is a reference to a Roman Catholic confessional box. Catholics confess sins to their priest in the enclosed “boxes,” which are typically the size of an old telephone booth, but which are dark and padded for kneeling and praying.
yes, you are right, but peter gabriel might also be referring to it in a symbolic and/or metaphorical way.
According to this site (http://www.lyricinterpretations.com/Peter-Gabriel/Mercy-Street)…
All of the confession allusions have double meaning, as much of Anne’s life was spent “confessing” her innermost feelings to psychiatrists as well as revealing them to the public through her poetry. The shocks can doubly refer to shock therapy administered by psychiatrists as well as the shocking things a priest might hear in confession. Per Wikipedia, Sexton was the epitome of a “confessional poet.”
@Hashmoder:
I share the exact same feeling as you do about Mercy Street…fascinating
I have it always with me, I listen to it when I’m low, and since 26 years, I can’t get bored of it. Also, the Orbit remix is kinda cool. I have a piano version of Mercy Street that I got from Audiogalaxy, ages ago. Do you know this one?
Take care
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Can we get back on theme please. Every thing seems to have gotten off the topic. Some of these comments are unbelievable.
I’m with you on this one Hashmoder. I agree, it is one of the most thought provoking songs I have ever heard…
The story of Anne Sexton’s life is tragic…She was sexually abused by both her parents who consequently died in a boating accident. I believe that she struggled balancing two emotional forces that eventually were tipped to far on on one side to recover…that being the feeling of expressing love and that of rejecting those who she believed loved her…How could she love her parents after the sexual abuse? How can one trust very people who bring us into this world?
I forgot to mention that Miriam Stockley’s interpretation of this song is one to be heard!
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