Cultural Vibe was created by Winston Jones in the mid 80′s. Its track Ma Foom Bey [watch video below] was one of the biggest and most successful dance track back in 1986. To this day, Ma Foom Bey is still getting played and continuing to stand the test of time. And I do love that track. However, I also really do love Cultural Vibe’s other track Mind Games just as much. Mind Games was also released in 1986 but failed to see any success, overshadowed obscurely by Ma Foom Bey‘s ongoing success and popularity. Ma Foom Bey was purely a legit tribal/house track for the dance-floor. But Mind Games was a deep/house, electronic and emotional VOCAL dance track for the music-listener. Fantastic rare gem with overall good & clean production with some raw dirt in there, although not as filthy as Ma Foom Bey. Melodic bassline, synth stabs and echoey/delayed synth marimba-ish chops. Slightly minimal but hardly crowded nor drowned with a lot of layers. Solid beats from a Roland TR-707 drum machine.
On side-B of this 12″ particular single of mine is Mind Games (Zans Games) which was later re-titled to Mind Games (Dub Games), thus both of them being and sounding exactly the same as each other.
Cultural Vibe – “Mind Games” (Club Vocal)…
Artist: Cultural Vibe Title: Mind Games (Club Vocal) Year: 1986 Label: Easy Street Records Media Source: Recorded straight from 12-inch record to enhanced digital.
I have decided to record digitally my entire StreetSoundsElectro compilation series.
I will record every single StreetSounds vinyl of mine into Protools, with as much digital restorations as possible and widened stereo-field. I do believe that I make the best vinyl-rips than most music collectors and bloggers out there. My 30+ years experience in pro-audio says so!
As I’ve stated in my previous StreetSounds article over a year ago, Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word electro today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots.
THEREFORE, STAY TUNED FOR DAILY POSTING OF EACH ELECTRO MIX.
Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan. A Hong Kong-born Indian who grew up in London, Khan had worked in the UK record industry since the mid 1970′s, working for such names as PRT Distribution (a division of Pye Records) and R&B Records, for whom at the time Imagination were the up and coming stars of the day.
Khan founded the independent Streetwave record label during 1981 to specialise in releasing Electro and Hi-NRG releases. Within a year of creation, Streetwave began the StreetSounds series of albums; compilations created from some of the hottest 12″ imports of the day. These releases made available a selection of the most contemporary dance floor hits within the financial reach of those wanting to hear the freshest sounds. In the early 80′s a 12″ single was priced around £2 and you would pay over £4 for an import 12″. The Streetsounds series offered usually 8 to 12 full-length 12″ mixes for under a fiver. Understandably, the Streetsounds series was met with considerable enthusiasm and, some might say, mighty relief.
This series would run for over 6 years and contain over 50 albums. By far the most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street and, one could argue, helped in the creation of the UK’s hip hop scene.
The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro with the title morphing into StreetSounds Hip Hop after release 12 in 1986.
All of the albums were competently mixed by a series of the best remixers of the day – predominately from the UK. A large proportion of the mixes on the early releases were completed by a London-based hip-hop sound system from the early 80s. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.
My digital recording process & audio quality of vinyl records are top-notch …
click each image above to enlarge
Old video: recording session ripping vinyls Electro-6, 7, and 9…
While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Digitizing them into Protools; Spending two long months cleaning them up; Getting rid of every single scratch/pop/click; Restoring deteriorated sounds through various RE-SYNTHESIS processes and techniques; Splicing the tracks to separate clips; Re-arranging and layering clips to my taste; Throwing in my own synth-stabs, chops and other minor subtleties; Adding & automating series of chained top-notch effects throughout the mix, utilizing parameters some of you could not even pronounce ... thus resulting with more dynamic and reverberated DEPTH to the mix; Fattening the bottom-end; Widening overall stereo perception; and Mixing, engineering and mastering my version of P:Machinery the way I think it's supposed to be heard.
To my taste, P:Machinery sounds better than 'sick' ... more like master piece of shit which blasts sonically across the stereo-field ... not one element standing still but constantly moving all over the place.
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish Boogie Down Bronx (dub version) PLAY TRACK
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood Relax (12 inch Sex Mix) PLAY TRACK
Trevor Horn is the guy who produced and performed “Video Killed The Radio Star” world-wide smash-hit track. I did some major digging and discovered some fascinating, forgotten facts and hidden gem tracks from The Buggles. In 1980, the Buggles’ duo Geoffrey Downes (keyboards) and Trevor Horn (vocals) — who were coming off an international success with their new-wave album The Age of Plastic – to help out on a new YES album. Downes suddenly left Buggles when Trevor learned that YES’ keyboardist Rick Wakeman was leaving the band, and therefore snatched him as well as lead-vocalist Jon Anderson to work on the next Buggles album Adventures In Modern Recording. The Buggle’s second album was completed in 1981 but was never released or charted. The album was a gem masterpiece.
The Buggles I Am A Camera (12 inch version) PLAY TRACK
Last Friday Living Spaces #2 took place in Baltimore, and it was special. We’re thrilled to have helped the Portals crew bring such a good mix of music, art, and people together under one roof. Much thanks goes out to all the artists involved (that’s Soft Cat pictured above) and to the nice folks at […]
Recently we teamed up with BBC Radio 6 Music to once again present a special half-year Music Blog Zeitgeist, looking at the most-blogged artists of 2014 thus far. Listen to BBC’s Tom Robinson countdown the top 20 here. In addition to the overall list, we refreshed our Ones To Watch feature for the second half […]
We’ve always been fans of the Portals community—what they do both on and offline. This led to supporting a rather adventurous balloon-filled night last October (that’s Emily Reo pictured above). And now we’re happy to help them continue their traveling showcase series called Living Spaces. The first event happened earlier this month in Brooklyn, […]
Stack is our latest experiment in delivering the most interesting music on the web directly to you. It’s a short newsletter highlighting some tracks that are getting attention on the site, compiled weekly by the Hype Machine team. If you liked listening to Hype Machine Radio for a quick rundown of new music, you’ll like […]
As you’ve discovered more and more music on Hype Machine, you’ve probably wished there was a way to categorize your finds. A way to revisit the dancey things while planning a party mix, just hear the slower tracks, or find that spoken-word piece again. Now you finally can! When favoriting a track, you can add it to […]
It’s hard to believe it has been 9 years since people started using Hype Machine. In this time, they’ve been able to graduate high school and college, complete their dissertations, start families, sell companies, and so much more. And along the way, over a million and a half of them have found new music. I […]
We’re back! For the third year in a row, Hype Hotel, presented by Taco Bell’s Feed The Beat program, will be bringing blogger-curated music showcases to Austin. Hype Machine tracks music that bloggers all around the world are talking about and presents it all in one place for easy discovery. That’s also what we do […]
A few weeks back we shared our annual Zeitgeist. One of its features is Top 50 Artists, which counts down the most-blogged acts of the year. The list is always telling of our times, both as a music blog community and an industry at large. What becomes popular on blogs no doubt informs and reflects […]
It’s here! Since 2007, the Hype Machine Music Blog Zeitgeist is our annual roundup of the year’s most exciting music. Here’s what we have for you this time: Top 50 Artists: We analyzed all posts in 2013 to find the 50 most-discussed artists, and asked Séamus Gallagher to illustrate. Listen to a track from each […]
Our Sonos app is LIVE! In this release, we’ve added the ability to listen to every blog in our Blog Directory, and your Feed. You can favorite tracks right from the app, and your listening is recorded in your Listening History on the site as well. Connect via Preferences > Services > The Hype Machine. […]
Carol Williams was the first female solo artist on Salsoul, she had a handful of singles that did pretty well through the 80's and has spent the past twenty years or so on the disco revue circuit, doing throwback parties and oldschool themed events at casinos and the like. Her biggest underground hit, Can't Get Away (From Your Love), gets a lot of […]
We've covered Bay-Area-transplant-by-way-of-Ghana Rim Kwaku Obeng before on Beat Electric. His self-released recorded output produced two highly sweated LPs, Rim Arrives and Too Tough. As far as I know there is just one other Rim record other than the mediocre International Funk 12" also mentioned in Black Shag's post, fortunately it's […]
Word was put out that a big Italo collection had been put out at the Rasputin chain of record stores in the Bay Area, but of course given my busy lifestyle by the time I finally got around to taking a look the vultures had already picked it over, bragging about their scores on my facebook page, whilst I was left with their scraps, fumbling around the Rasput […]
Intro was the name of a short lived project fronted by underground(ish) new wavey electro singer Jacqui Brookes. For this post I was going to use a picture of an old boom box with a guy dressed as a robot octopus breakdancing around it, as is standard around here, but I looked Jacqui up on google and found this press shot of her and decided it was way better […]
Fire remix of the new Katy Perry single from the dude Grandtheft. It’s dope, that’s all there is to it √ ___________________________________ Get @ Nick Bike Twitz! √ Follow Schitz you Twi†Z!! √ Hear† Us on HYPE!! √ Like Us … Continue reading →
Are We Faded is the new single from Keys N Krates forthcoming EP Every Nite. Don’t be stupid, get in tune with it. Cop the single off iTunes. Stay close for the full EP in the near future. ___________________________________ Get … Continue reading →
New heater from Vancouver local boy Pat Lok. He gives the remix treatment to Trigger, a song by vocalist Sirma out of New York. Everything is right with it so give it a download at no cost. ___________________________________ Get @ … Continue reading →
This is nice. Treat yourself to a lazy, end-of-summer tune entitled Sunset City from Gold Coast Syndicate out of Chicago. Cop it for cheap off bandcamp. ___________________________________ Get @ Nick Bike Twitz! √ Follow Schitz you Twi†Z!! √ Hear† Us … Continue reading →
Just wanted to second a couple of other comments on your site and say that yours is by far one of the best music resources I've found. A similar but now sadly defunct site called Retro Wonderland came a close second! Keep up the good work. All the best."
And all the best to you too, Elliot, for your lovely feedback you've emailed me :)
From: Yaron Sarel
"...just discovered your site, and I wanted to tell you that you make me one happy Israeli guy. I work as a sound engineer, living in Tel Aviv, and I love the 80's. In fact, two good friends of mine and myself formed an oriented-80's synth band. After years of playing rock, for some reason I have never imagined I would be playing this kind of music. I used to listen to as a kid (before I discovered the electric guitar). Your work brings back to life this music i miss and love so much. Thank you sir!"
And thank you, Yaron, for your lovely feedback.
Mp3's on this site are for sampling and promotional purposes only and will only. Most of the mp3 tracks on this blog/site are remixes, extended and limited versions which are deleted, no longer available for purchase and would not be heard otherwise. However, please support these artists. If you are one of these artists and would like your music removed from this site, please notify me, and I will endeavor to remove them as soon as possible.