Source of article: Gridface
Link to original article: http://www.gridface.com/features/chip_e.html
Author of article: Jacob Arnold, editor of Gridface blog
Read this fantastic article If You Only Knew (Chip E.) and interview of Chip E. (Irwin Larry Eberhart II, 43) posted by Jacob Arnold from the Gridface blog. Chip E. (also known as The Godfather of House) was the first artist to release a dance track which contained the words “house” and “jack,” and therefore spawning so many House tracks to be released by other House artists, also contained such words (either in the title and/or hook): 7 Ways To Make You Jack (Hercules), Jack Your Body (Steve Silk Hurley), Jack To The Sound Of The Underground (Fast Eddie), House Nation (House Master Boyz), etc.
Another great 
I love this version of Head Over Heels (Preacher Mix) by 
In 1984, Malcolm changed his tune to opera on his next maxi/EP single release of Madam Butterfly which was an electronic, synth-pop modern-classic track, based on 
Malcolm McLaren’s Madam Butterfly is arranged with a drum-machine, atmospheric synthesizers and spoken/sung R&B verses (with opera backup vocals). The production on Malcom’s Madam Butterfly is stellar. The track was produced by 
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day. Check out example below:
Man Parrish
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length. Check out example below:
Frankie Goes To Hollywood
Trevor Horn is the guy who produced and performed “
The Buggles
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