Killer synth-R&B-dance track from 1986.     Rumors… I can still take more more!

1986 was a great year for electronic R&B which incorporated the new urban sound, hiphop, funk, soul and dance music — a sound that later became known as the New Jack Swing in the late 80′s. New Jack Swing was pretty much hijacked by Teddy Riley [watch video] who took that genre to a whole new level. But Rumors was one of the very first tracks with that sound — a sound so poundingly raw, with a spine that keeps the drums, baseline and overall groove fused together as one. I remember this track hitting the top of the charts around the world. I bought a few different copies of the 12-inch records from Canada, USA and England.  I’ve also bought Rumors on Canadian-issued maxi-single cassette tape.  Why?  Because I liked the different artwork covers!

Almost every artist of this genre was utilizing the very latest electronic and groundbreaking musical instruments at that time.     E-mu SP12 [watch video] and Linn-9000 [watch video] were just the revolutionary sampling drum machines used in the industry. Their factory sound/samples that came with those two machines were legendary — practically used on thousands of tracks out there.  The SP12 had 24 onboard drum sounds plus 8 additional memory allocations for loading custom/user samples. Since the SP12 had no built-in floppy drive for backup, I am not sure how the user samples were stored. However, the SP12 was quickly superseded by SP1200 in 1987 which had a built-in 3.5″ floppy drive and more sampling memory.

Almost all the drum sounds on Rumors were from the SP12/1200. I recognize that snare very well to be from E-mu Systems’ factory sample collection. Just that snare alone could be heard on Jody Watley’s – Looking For A New Love,  Janet Jackson’s – Control by the two big-time producers Jam & Lewis, and even Kraftwerk’s – The Telephone Call… just as few examples.

The TR-808 drum sounds on Rumors, to my belief, were samples of the real 808 drum-machine loaded into the SP12/1200.  Most of the synth sounds, particularly the main melodic/stabby one, was from a Roland Juno-106 [watch video]. I know that Roland sound, because I, too, own a 106 and few other kinds.

Read more information on Timex Social Club here (wikipedia) –and– here (TSC official site).

Timex Social Club – “Rumors” (Social Club Mix)…

Artist: Timex Social Club
Title: Rumors (Social Club Mix)
Year: 1986
Label: AM Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Timex Social Club – “Rumors” (Social Club Mix) (mp3)

 

Timex Social Club – “Rumors” (Social Club Dub)…

Artist: Timex Social Club
Title: Rumors (Social Club Dub)
Year: 1986
Label: AM Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Timex Social Club – “Rumors” (Social Club Dub) (mp3)

 

Timex Social Club – “Vicious Rumors”…

Artist: Timex Social Club
Title: Vicious Rumors
Year: 1986
Label: AM Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Timex Social Club – “Vicious Rumors” (mp3)

 

The Original Concept

The Original Concept members were Doctor Dré (the guy from MTV), T-MoneyRapper GEasy G and Wildman Steve. This 12-inch from 1986 is one of the few singles not produced by Rick Rubin who produced pretty much every other track during the early days of Def Jam Recordings. Let me tell you how kick-ass this track is. It starts off with a backward turntable-scratch effect which then quickly scratches forward towards rev-up solo guitar riff which is then interrupted by a spoken word sample, drenched in dark-room reverb, “PUMP THAT BASS.” That sample should trigger your memory. Yes! You’ve heard it before on millions of other records, but it originated here — this track by The Original Concept (I think)! The vocal sample finishes it measure very quickly and then proceeded by the main beat, starting with a monster 808 kick and snare that sounds like a trash-can (probably sampled into an E-mu SP12 drum sampler). Very original track indeed. Absolutely killer scratching and freestyle MC’ing. Play the track now!

The Original Concept – “Pimp That Bass”…

Artist: The Original Concept
Title: Pump That Bass
Year: 1986
Label: Def Jam Recordings
Media Source: Recorded straight from 12-inch record to enhanced digital.

The Original Concept – “Pump That Bass” (mp3)

 

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