Street Sounds Electro

I have decided to record digitally my entire StreetSounds Electro compilation series.

I will record every single StreetSounds vinyl of mine into Protools, with as much digital restorations as possible and widened stereo-field.  I do believe that I make the best vinyl-rips than most music collectors and bloggers out there. My 30+ years experience in pro-audio says so!

As I’ve stated in my previous StreetSounds article over a year ago, Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word electro today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots.

THEREFORE, STAY TUNED FOR DAILY POSTING OF EACH ELECTRO MIX.

Streetsounds History…

Morgan Khan

Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan. A Hong Kong-born Indian who grew up in London, Khan had worked in the UK record industry since the mid 1970′s, working for such names as PRT Distribution (a division of Pye Records) and R&B Records, for whom at the time Imagination were the up and coming stars of the day.

Khan founded the independent Streetwave record label during 1981 to specialise in releasing Electro and Hi-NRG releases. Within a year of creation, Streetwave began the StreetSounds series of albums; compilations created from some of the hottest 12″ imports of the day. These releases made available a selection of the most contemporary dance floor hits within the financial reach of those wanting to hear the freshest sounds. In the early 80′s a 12″ single was priced around £2 and you would pay over £4 for an import 12″. The Streetsounds series offered usually 8 to 12 full-length 12″ mixes for under a fiver. Understandably, the Streetsounds series was met with considerable enthusiasm and, some might say, mighty relief.

This series would run for over 6 years and contain over 50 albums. By far the most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street and, one could argue, helped in the creation of the UK’s hip hop scene.

The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro with the title morphing into StreetSounds Hip Hop after release 12 in 1986.

All of the albums were competently mixed by a series of the best remixers of the day – predominately from the UK.  A large proportion of the mixes on the early releases were completed by a London-based hip-hop sound system from the early 80s. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

My digital recording process & audio quality of vinyl records are top-notch …



click each image above to enlarge

Old video: recording session ripping vinyls Electro-6, 7, and 9…

Captain Rock - Cosmic Blast 01

I’m a very huge fan of Captain Rock’s preschool hiphop. I have all of the very few 12-inch records he’d released between early and mid 80′s. What I love about this track is the hard-hitting, reverb-gated kick and snare from a drum-machine.  The synth bassline is very thick and stabby, punching it’s low-frequency melody on top of the kick/snare, thus  adding extra beef in-between and around the beats. There is also a cosmic and high-pitched syncopated synth element which serves as the main upper-layered second melody – super nice icing on the cake, driving the track along with the bassline underneath. The human-beatboxing is incredibly breathy, groovy and not over the top; there are no Fat-Boy-esquehee-haw, haw-hah” beatbox vocals.  It’s somewhat a futuristic-sounding hiphop. Really good production. No messing around, no bullshit.

I’ve managed to gather little information about him from another site:

His real name is Ronnie Green. Captain Rock was an underground fixture in the early 80′s. Captain Rock was produced by Aleem (Taharqa & Tunde-ra Aleem) on NIA. He appeared at the [Street Sounds] UK Fresh Fest 86 where he allegedly striped down to his thong on stage. Several of his tracks include “Captain Rock to the Future Shock”, “House of Rock”, and “Cosmic Glide”. Before being Captian Rock he was Dr Jecyll and Mr Hyde’s live dj from their period in the Harlem World Crew.  He was known as DJ Ronnie Green. The only record he wrote the lyrics for was “Cosmic Blast.” The Cosmic Crew didn’t exist longer than the time it took to make the record “Cosmic Blast”. They were The Aleems, Dr Jeckyll + Mr Hyde, Scratch Al-D and Marley Marl. He was a referee for NCAA Division 3 basketball in the late 80′s and early 90′s. He’s also run a youth program in New York City, for underprivileged kids. He still keeps in touch with several artists including Mr Hyde, Aleem Brothers and Marley Marl.

Captain Rock - Cosmic Blast 02 Captain Rock - Cosmic Blast 03

Captain Rock – “Cosmic Blast”…

Artist: Captain Rock
Title: Cosmic Blast
Year: 1984
Label: NIA Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Captain Rock – “Cosmic Crew” (mp3)

 

Captain Rock – “Cosmic Blast” (Dub)…

Artist: Captain Rock
Title: Cosmic Blast (Dub)
Year: 1984
Label: NIA Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Captain Rock – “Cosmic Crew” (Dub) (mp3)

 

Streetsounds logo

Electro back then was electric funk and hiphop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word ‘Electro’ today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots.

I am providing you with four Electro albums for download. I recorded them directly from vinyl into Protools (Electro-6, 7 & 9 in particular), digitally restored as much as possible, and widened the stereo field, among other quick fixes. Go ahead an compare my mastered versions to the same ones you find elsewhere — mine sound the best.

Streetsounds Recordingstreetsounds 03D
Streetsounds Protools Mastering

Streetsounds History…

Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan. A Hong Kong-born Indian who grew up in London, Khan had worked in the UK record industry since the mid 1970′s, working for such names as PRT Distribution (a division of Pye Records) and R&B Records, for whom at the time Imagination were the up and coming stars of the day.

Khan founded the independent Streetwave record label during 1981 to specialise in releasing Electro and Hi-NRG releases. Within a year of creation, Streetwave began the Streetsounds series of albums; compilations created from some of the hottest 12″ imports of the day. These releases made available a selection of the most contemporary dance floor hits within the financial reach of those wanting to hear the freshest sounds. In the early 80′s a 12″ single was priced around £2 and you would pay over £4 for an import 12″. The Streetsounds series offered usually 8 to 12 full-length 12″ mixes for under a fiver. Understandably, the Streetsounds series was met with considerable enthusiasm and, some might say, mighty relief.

This series would run for over 6 years and contain over 50 albums. By far the most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street and, one could argue, helped in the creation of the UK’s hip hop scene.

The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled “Streetsounds Electro” with the title morphing into “Streetsounds Hip Hop” after release 12 in 1986.

All of the albums were competently mixed by a series of the best remixers of the day – predominately from the UK. A large proportion of the mixes on the early releases were completed by a London-based hip-hop sound system from the early 80s. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

Electro-9…

Mixed by: Herbie (The Mastermind) Laidley
Year: 1985
Restored & remastered by: Hashmoder

Streetsounds Electro-9 (mp3)

 

Electro-7…

Mixed by: Herbie (The Mastermind) Laidley
Year: 1985
Restored & remastered by: Hashmoder

Streetsounds Electro-7 (mp3)

 

Electro-6…

Mixed by: DJ Maurice Assisted by DJ N
Year: 1985
Restored & remastered by: Hashmoder

Streetsounds Electro-6 (mp3)

 

Electro-2…

Mixed by: Herbie (The Mastermind) Laidley
Year: 1983

Streetsounds Electro-2 (mp3)

 

Track-List of Electro-6, Electro-7 and Electro-9

streetsoundselectros

Video of ReMastering Session of Electro-6|7|9…

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