Tears For Fears – “Change” (Extended Version)…

Artist: Tears For Fears
Title: Change (Extended Version)
Year: 1983
Label: Mercury Records

Tears For Fears – “Change” (Extended Version) (mp3)

 

Tears For Fears – “Pale Shelter” (Extended Version)…

Artist: Tears For Fears
Title: Pale Shelter (Extended Version)
Year: 1982, 1983
Label: Mercury Records, Phonogram Records

Tears For Fears – “Pale Shelter” (Extended Version) (mp3)

 

It’s been a long time; I shouldn’t have left you.
Without a strong article to blog a post to.
Think of six months you had to wait through.
Time’s up.  I’m sorry I’ve kept you…
waiting for this, with your hand on the mouse, soon…
as you click it, turn up the volume!

Heh. How ya like my own take on Eric B & Rakim’s – “I Know You Got Soul” lyrics above!

And hey… Thank you for your patience.

In the long break which I’ve taken away from my blog, I was going through and reorganizing my entire vinyl and CD collection. I was listening to a lot of music, as well as searching and buying a lot of new and used records and CD’s from niche record stores, thrift stores, garage sales and internet. I’ve added more music to my arsenal in the past few months, especially certain old-school tracks which I’ve been searching for years to find… such as the 12-inch extended version of Promises Promises by Naked Eyes.

What the hell is it about this track which makes it deliciously and emotionally congenial? …And why is it so immortal?

Oh, I know… It is the plethora of rich, creamy & lush layers of weaving sound textures in a sea of sound-design bliss — an artwork trademark of Naked Eyes’ two British members Pete Byrne (guitars & vocals) and Rob Fisher (synthesizers & keyboards). They deliver Promises Promises with such bliss, thickened with consistency and splendiferous substance of utmost quality in the beautiful combination of different musical elements, threaded and embedded deeply in the song’s inner core and exterior fabric.

According to Wikipedia:

Naked Eyes was one the very first bands to make significant use of the Fairlight CMI sampling beast of an instrument.  Peter Gabriel and Kate Bush had used the Fairlight on prior efforts, but the usage had been far less than Naked Eyes would employ on their debut effort.

However, before becoming a two-man band, Byrne & Fisher had formally played in a band called Neon with future members of Tears For Fears — also a two-man band who used the Fairlight extensively. The relationship between the two bands is perhaps why both bands had similarities in their use of rich, epic sound-textures in the music, albeit each having their own musical styles.

The lyrics of Promises Promises was obviously about a person’s disappointment in his/her significant-other who made countless promises but was not able to keep nor follow through any one of them. If having read the lyrics without listening to the music first, one might have gotten an impression that the song would be slow and sappy.     Sappy/slow it was not!       Surprisingly, this track was paced at mid-tempo with:

  • Tight drums at the core;
  • Percussive marimba’ish synth stabs;
  • Lush synth pads and swells coming in & going out through both left/right channels of the stereo-field;
  • Echoey electric guitar licks drenched in reverb ambience; and
  • Moderate and not over-the-top vocals with not too many words.

●●● Overall sound-&-feel of the song was (and still is) moody and emotional but hopeful.

Moody… Emotional… These are exactly the feelings I go through sometimes when thinking about how I might’ve been given the short-end of the stick in life. I start to loathe myself many times for being a middle-eastern person born in Baghdad, Iraq. And then I wish that I wasn’t born an arab nor a muslim –– I really do hate my religion!

I renounced Islam when I was 6.5 years-old in 1977. I was mandated to attend “Quran” class at the end of first day of school (Rosary) in Abu Dhabi. I was late for that class. As soon as I entered the classroom, the arabic teacher asked me to recite any verse from the Quran. I had no idea what she was talking about, because I wasn’t aware to have a religion.  All of a sudden the bitch slapped me hard on my face, almost knocking me down to the floor and blacking-out. That very moment… I made up my mind: FUCK THIS! AND FUCK ISLAM!!

After being slapped and physically abused for nearly three years, my stuttering became severely worse, as I was living in fear of those kinds of people. And because of those sons of bitches, I loathed (and still loathe) myself for being a brown, muslim arab. Therefore I moved to England and Canada with my parents at a young age of nine years in 1980. I was happy to get away from the middle-eastern world of autocratic and punitive Islamic-states in Arabia. During all my years living in Europe and North America, I’ve adapted and became accustomed to modern western civilization and culture.

But whenever I do feel down like that, I can simply shake it off by either thinking of Promises Promises or playing the song. Perhaps a lot of the good promises in my life where broken or never fulfilled, but I am being hopeful at the end of each day.

Naked Eyes – “Promises, Promises” (Extended Version)…

Artist: Naked Eyes
Title: Promises, Promises (Extended Version)
Year: 1983
Label: EMI America
Media Source: Recorded straight from 12-inch record to enhanced digital.

Naked Eyes – “Promises Promises”  (Extended Version) (mp3)

 

Naked Eyes – “Promises, Promises” (Instrumental)…

Artist: Naked Eyes
Title: Promises, Promises (Instrumental)
Year: 1983
Label: EMI America
Media Source: Recorded straight from 12-inch record to enhanced digital.

Naked Eyes – “Promises Promises” (Instrumental) (mp3)

 

Another great Tears For Fears 12″ single. This track was recorded and released in the UK charts in 1984, well before the release  of their 1985 LP/album release Songs From The Big Chair. It showcased the group’s edgier sound, intricate production and, most importantly, the creative use of sampling. Beat Of The Drum Mix was clearly one of the earliest remix tracks with sampled vocals, loops and snippets as well as loops, that were sequenced and arranged together on top of all other synths and multi-tracked layers of instrument/vocal performances recorded by the band. For example, the string-hits at the beginning Beat Of The Drum Mix were sampled from a Barry Manilow track; James Brown vocal snippets near the end; and the other samples were real ambient noises, drum shots/rolls, orchestral and horn stabs, ambient and weird noises, guitar strums/chords, and Tears For Fears’ own vocals.

All the sampling were done with the Fairlight CMi-2 which was, at that time, the most sophisticated and highly advanced sampling/sequencing/digital-editing workstation.  It featured a mainframe computer, large keyboard-instrument controller, computer monitor and a light-pen.  Watch this video demonstration of the Fairlight. Also watch this other video of the Fairlight being demonstrated by Nick Rhodes of Duran Duran.

The meaning of Mothers Talk stems from two ideas:

  1. Something that mothers say to their children about pulling faces; they say the child will stay like that when the wind changes; and
  2. The inspiration by the anti-nuclear cartoon book When The Wind Blows by Raymond Briggs.

Tears For Fears – “Mothers Talk” (Beat Of The Drum Mix)…

Artist: Tears For Fears
Title: Mothers Talk (Beat Of The Drum Mix)
Year: 1984, 1985, 1986
Label: Mercury Records; Polygram; Phonogram; Vertigo
Media Source: Recorded straight from 12-inch record to enhanced digital.

Tears For Fears – “Mothers Talk” (Beat Of The Drum Mix) (mp3)

 

Tears For Fears – “Mothers Talk” (US Remix)…

Artist: Tears For Fears
Title: Mothers Talk (US Remix)
Year: 1984, 1985, 1986
Label: Mercury Records; Polygram; Phonogram; Vertigo

Tears For Fears – “Mothers Talk” (US Remix) (mp3)

 

Fairlight CMi demonstration by Greg Sneddon…

http://youtu.be/D-aWWcw2pL0

Fairlight Cmi demonstration by Nick Rhodes & other artists…

When The Wind Blows…

I love this version of Head Over Heels (Preacher Mix) by Tears For Fears. It’s nice and long with outstanding edits and arrangements that takes you on a long journey. Layers and layers of real music instruments and electronic synthesizers. Intricate production. A work of art!  I wish that I wrote this song. I recorded this track off of an imported 12-inch record (pressed in Germany) which I’ve had in my collection since the mid 80′s. The Preacher Mix is comprised of three parts: (1) intro Broken, (2) the main song Head Over Heels, and (3) outro Broken —- with all three playing in consecutive order. The intro and outro versions of Broken sound different from each other. However, the Broken-outro part in the album version of Head Over Heels is completely a different version/mix than the one in Preacher Mix; it sounds like a live performance than a studio-production (although I am not sure if it is really “live” or just made to sound that way).

The Preacher Mix was available only on 12-inch record for a long time.  It wasn’t even available on Tears For Fears’ 1985 album Songs From The Big Chair, nor was it available on their 1999 remastered release of Songs From The Big Chair which included all the original tracks from the album plus several bonus B-sides tracks/remixes. But in 2006, The Preacher Mix was included in yet another remastered, 2-disc deluxe edition release of Songs From The Big Chair on CD

Tears For Fears – “Broken / Head Over Heels / Broken” (Preacher Mix)…

Artist: Tears For Fears
Title: Broken / Head Over Heels / Broken (Preacher Mix)
Year: 1985
Label: Mercury Records
Media Source: Recorded straight from 12-inch record to enhanced digital.

Tears For Fears – “Broken / Head Over Heels / Broken” (Preacher Mix) (mp3)

 

Tears For Fears – “Head Over Heels/Broken” (Album Version)…

Artist: Tears For Fears
Title: Head Over Heels/Broken (Album Version)
Year: 1985
Label: Mercury Records

Tears For Fears – “Head Over Heels/Broken” (Album Version) (mp3)

 

Tears For Fears – “Head Over Heels” (Live 1984)…

Page 1 of 1 1