
Let’s get one fact straight… former Sex Pistols impresario Malcolm McLaren was the first to bring vogue-dancing (from the gay underground scene in New York) to the international mainstream music almost two years before Madonna. McLaren and Bootsy Collins’ Bootzilla Orchestra collaborated together and came up with a track called Deep In Vogue — an ode to the ballroom scene started by young, gay African-Americans and Latinos in New York City featured in the documentary Paris Is Burning. Dedicating the song to all the houses of ballroom and vogueing, the track featured vocals from voguing pioneer and legend Willi Ninja. (Also, click here to view image-results of Willie Nina.) On the production side, additional remixing were done by Mark Moore (of S-Express, watch video of “Theme Of S-Express”) and William Orbit.

Macolm McLaren & The Bootzilla Orchestra
- “Deep In Vogue”…
Artist: Malcolm McLaren
Title: Deep In Vogue
Year: 1988
Label: CBS Records
Malcolm McLaren & The Bootzilla Orchestra
- “Deep In Vogue” (mp3)
Macolm McLaren & The Bootzilla Orchestra – “Deep In Vogue” (Banjie Realness)…
Artist: Malcolm McLaren
Title: Deep In Vogue (Banjie Realness)
Year: 1988
Label: CBS Records
Malcolm McLaren & The Bootzilla Orchestra – “Deep In Vogue” (Banjie Realness) (mp3)
Music Video: Macolm McLaren – “Deep In Vogue” (Banjie Realness)…
Documentary edit: Paris Is Burning (of Willie Ninja)…
R.I.P. Willie Ninja (Apr.12.1961 – Sep.02.2006)…
In loving memory of Willie Ninja who was a legend and one of the early pioneers of vogue-dancing and posing.
The first video in the playlist below made me very sad with a huge apple in my throat. Every time I’ve been watching it brings tears to my eyes. Perhaps I should just release it and ball out crying. And I will. Willi Ninja — he was so beautiful man. Rest in beautiful peace, Willie, as I’ve learned about your passing. You were sent away heroically instead of dying like some aging deadbeat in a nursing home. You danced, you taught, you loved, you lived most truly, and that’s what life is all about. What a beautiful man you were and still are… .
Willi Ninja (April 12, 1961 September 2, 2006) was an American dancer and choreographer best known for his appearance in the documentary film Paris is Burning. Ninja, who was gay, was a fixture of ball culture at Harlem’s drag balls who took inspiration from sources as far-flung as Fred Astaire and the world of haute couture to develop a unique style of dance and movement. He caught the attention of Paris is Burning director Jennie Livingston, who featured Ninja prominently in the film. The film, a critical and box office success, served as a springboard for Ninja. He parlayed his appearance into performances with a number of dance troupes and choreography gigs. His style served as an inspiration to Madonna, who immortalized it in her 1990 hit song and music video “Vogue.” He also starred in the earlier music video for Malcolm McLaren’s Deep In Vogue.









While the norm for most tracks go anywhere between 3:30 to 6:00 minutes in length, I prefer 15:00 minutes or longer, like the four seasons. Give me 4 long tracks to fill the hour, and I’ll be one very happy Iraqi. I love tracks that take me on long journeys through various movements. One of my all-time favorite synth-pop groups is PROPAGANDA from germany … who sound like twisted ABBA + Industrial + TechnoPop + Darkness. My favorite Proganda track is P:Machinery. I’ve taken two 12-inch vinyl versions of that track and conjoined them together as one … the way I want to listen to P:Machinery by:
Propaganda
Although he produced only a handful of tracks of renown and disappeared into obscurity almost as quickly as he had emerged from it, Manny ( Man ) Parrish is nonetheless one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of Kraftwerk with the beefed-up rhythms and cut’n'mix approach of nascent hip-hop. As a result, tracks like “Hip-Hop Be Bop (Don’t Stop)” and “Boogie Down Bronx” were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker — and they remain undisputed classics of early hip-hop and electro to this day.
Man Parrish
What made Trevor Horn’s productions stand out was his unique and genius production techniques and the heavy use of state-of-the-art pro-audio gear, which made him become the torch-bearer for the kind of technology-led pop music which was hip and incredibly disciplined. Trevor Horn’s 12-inch remixes were uniquely long (anywhere from 8 to 13 minutes in duration) and told stories which took the listeners through long instrumental journeys at the begenning of tracks until the climax is reached (around the 5/6 or 7 minute mark). After the climax, the original or alternate full vocal version of the track takes over from that point on to the end, lasting additional 3.5 to 5 minutes in length.
Frankie Goes To Hollywood
Trevor Horn is the guy who produced and performed “
The Buggles
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